Madeleine Child & Philip Jarvis: New Work
Sorry, this event’s been and gone
When:
| Sat 10 Dec ’11, 11:00am–5:00pm |
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| Sun 11 Dec ’11, 11:00am–5:00pm |
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| Mon 12 Dec ’11, 11:00am–5:00pm |
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| Tue 13 Dec ’11, 11:00am–5:00pm |
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| Wed 14 Dec ’11, 11:00am–5:00pm |
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| Thu 15 Dec ’11, 11:00am–5:00pm |
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| Fri 16 Dec ’11, 11:00am–5:00pm |
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| Sat 17 Dec ’11, 11:00am–5:00pm |
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| Sun 18 Dec ’11, 11:00am–5:00pm |
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| Mon 19 Dec ’11, 11:00am–5:00pm |
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| Tue 20 Dec ’11, 11:00am–5:00pm |
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| Wed 21 Dec ’11, 11:00am–5:00pm |
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| Thu 22 Dec ’11, 11:00am–5:00pm |
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| Fri 23 Dec ’11, 11:00am–5:00pm |
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| Tue 27 Dec ’11, 11:00am–5:00pm |
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| Wed 28 Dec ’11, 11:00am–5:00pm |
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| Thu 29 Dec ’11, 11:00am–5:00pm |
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| Thu 29 Dec ’11, 11:00am–5:00pm |
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| Fri 30 Dec ’11, 11:00am–5:00pm |
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| Sat 31 Dec ’11, 11:00am–5:00pm |
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| Mon 2 Jan ’12, 11:00am–5:00pm |
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| Tue 3 Jan ’12, 11:00am–5:00pm |
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| Wed 4 Jan ’12, 11:00am–5:00pm |
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| Thu 5 Jan ’12, 11:00am–5:00pm |
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| Fri 6 Jan ’12, 11:00am–5:00pm |
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| Sat 7 Jan ’12, 11:00am–5:00pm |
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| Sun 8 Jan ’12, 11:00am–5:00pm |
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| Mon 9 Jan ’12, 11:00am–5:00pm |
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| Tue 10 Jan ’12, 11:00am–5:00pm |
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| Wed 11 Jan ’12, 11:00am–5:00pm |
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| Thu 12 Jan ’12, 11:00am–5:00pm |
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| Fri 13 Jan ’12, 11:00am–5:00pm |
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| Sat 14 Jan ’12, 11:00am–5:00pm |
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| Sun 15 Jan ’12, 11:00am–5:00pm |
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| Mon 16 Jan ’12, 11:00am–5:00pm |
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| Tue 17 Jan ’12, 11:00am–5:00pm |
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| Wed 18 Jan ’12, 11:00am–5:00pm |
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| Thu 19 Jan ’12, 11:00am–5:00pm |
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| View more sessions |
Where: Woollaston Estates, 243 Old Coach Road, Mahana, Upper Moutere Show map
Restrictions: All Ages
Ticket Information:
- Admission: Free
Website:
10 December - 19 January
Child and Jarvis are well known for working with mixed media as well as ceramics. Their quirky style, experimentation with material and form and their conceptual rigour has gained them considerable attention. They have established a profile of producing work which reflects themes of colour, texture and pattern in the materials they use. In this exhibition Child and Jarvis explore new directions, using new materials including paint and fishing line.
Their delight in surfaces, colour and form have in the past disguised another side to the subjects of their attention. A slightly dark nature, a political or contentious underlying debate is explored in this new work.
Child writes - "Working with clay, the winter and Dunedin’s Gothic thing add to this (darkness). Otherwise it is a different subject but similar ways of working. I went back to studio production throwing mudpools. Badly thrown, badly glazed; that beginner throwing look which can be tricky to achieve for an old hand. My father's motto was ‘If a job's worth doing it's worth doing badly’. So I guess I’m following that. Throw in my Mother’s encouragement to do something a little bit illegal every day. Ceramics is thick with rules that should be broken.
"I like all the different states clay has and how it can be worked. That squishy to solid thing. Then back again to soft, fluid and in the kiln. There are also production techniques, to make the same but different, and quantities. But I could never make the same so this is perfect for how I work. Clay has its own thing going on and you have some control but not all."
Art New Zealand Number 140 Summer 2011/12 pages 64-65





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