Nigel Buxton: Capriccios
Sorry, this event’s been and gone
When:
| Sat 16 Apr ’11, 12:00pm–4:00pm |
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| Sun 17 Apr ’11, 12:00pm–4:00pm |
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| Tue 19 Apr ’11, 10:00am–4:00pm |
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| Wed 20 Apr ’11, 10:00am–4:00pm |
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| Thu 21 Apr ’11, 10:00am–4:00pm |
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| Fri 22 Apr ’11, 12:00pm–4:00pm |
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| Sat 23 Apr ’11, 12:00pm–4:00pm |
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| Sun 24 Apr ’11, 12:00pm–4:00pm |
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| Tue 26 Apr ’11, 10:00am–4:00pm |
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| Wed 27 Apr ’11, 10:00am–4:00pm |
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| Thu 28 Apr ’11, 10:00am–4:00pm |
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| Fri 29 Apr ’11, 10:00am–4:00pm |
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| Sat 30 Apr ’11, 12:00pm–4:00pm |
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| Sun 1 May ’11, 12:00pm–4:00pm |
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| Tue 3 May ’11, 10:00am–4:00pm |
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| Wed 4 May ’11, 10:00am–4:00pm |
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| Thu 5 May ’11, 10:00am–4:00pm |
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| Fri 6 May ’11, 10:00am–4:00pm |
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| Sat 7 May ’11, 12:00pm–4:00pm |
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| Sun 8 May ’11, 12:00pm–4:00pm |
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| Tue 10 May ’11, 10:00am–4:00pm |
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| Wed 11 May ’11, 10:00am–4:00pm |
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| Thu 12 May ’11, 10:00am–4:00pm |
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| Fri 13 May ’11, 10:00am–4:00pm |
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| Sat 14 May ’11, 12:00pm–4:00pm |
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| Sun 15 May ’11, 12:00pm–4:00pm |
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| Tue 17 May ’11, 10:00am–4:00pm |
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| Wed 18 May ’11, 10:00am–4:00pm |
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| Thu 19 May ’11, 10:00am–4:00pm |
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| Fri 20 May ’11, 10:00am–4:00pm |
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| Sat 21 May ’11, 12:00pm–4:00pm |
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| Sun 22 May ’11, 12:00pm–4:00pm |
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| Tue 24 May ’11, 10:00am–4:00pm |
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| Wed 25 May ’11, 10:00am–4:00pm |
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| Thu 26 May ’11, 10:00am–4:00pm |
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| Fri 27 May ’11, 10:00am–4:00pm |
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| Sat 28 May ’11, 12:00pm–4:00pm |
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| Sun 29 May ’11, 12:00pm–4:00pm |
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| Tue 31 May ’11, 10:00am–4:00pm |
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| Wed 1 Jun ’11, 10:00am–4:00pm |
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| Thu 2 Jun ’11, 10:00am–4:00pm |
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| Fri 3 Jun ’11, 10:00am–4:00pm |
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| Sat 4 Jun ’11, 12:00pm–4:00pm |
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| Sun 5 Jun ’11, 12:00pm–4:00pm |
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| Mon 6 Jun ’11, 12:00pm–4:00pm |
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| View more sessions |
Where: Aigantighe Art Museum, 49 Wai-iti Road, Timaru Show map
Restrictions: All Ages
Ticket Information:
- Admission: Free
Website:
Favourites:
Nigel Buxton grew up in Berkshire and trained at the Byam Shaw School of Art in London. He moved to New Zealand in 1981 and runs PaperGraphica studio in Christchurch. "Capriccios" means "flights of fancy" and the artist presents us with an exhibition in two parts. In the first are nine collaged images featuring life-sized models posed and costumed who occupy interiors, landscapes and stage-sets. In the second are ten digitally manipulated inkjet prints which also feature extravagantly costumed and posed characters but as Buxton states "they people a landscape we are all very familiar with".
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