Mojo by Jez Butterworth

Mojo by Jez Butterworth

Sorry, this event’s been and gone

When:

Tue 2 Nov ’10, 8:00pm
Wed 3 Nov ’10, 8:00pm
Thu 4 Nov ’10, 8:00pm
Fri 5 Nov ’10, 8:00pm
Sat 6 Nov ’10, 8:00pm

Where: The Basement, Lower Greys Avenue, Auckland CBD Show map

Restrictions: All Ages

Ticket Information:

  • Adult: $26.00
  • Seniors / students: $24.00
  • Equity: $22.00
  • Booking fees may apply

Website:

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From the team that brought you 2009’s grimy hit Killer Joe…

Soho. London. 1958. The dawn of rock ‘n' roll.

Silver Johnny is a rising rock ‘n' roll star at the Atlantic Club whose manager, Ezra, is trying to protect him from the amorous advances of creepy local gangster Sam Ross. Unfortunately, Ezra has just been found sawn in half in separate dustbins. A power struggle ensues at the Atlantic Club that will rock (and roll) the lads who frequent it. Set in the amphetamine-fueled, gangster operated London rock scene, Mojo follows Sweets, Potts, Skinny, Mickey, Baby and Silver Johnny, a gang of hopped-up, would-be power-players who, seduced by the speed and optimism of a glittering American future, battle for control over a hot young teen idol.

Director Jeff Szusterman is swapping the young hopefuls of New Zealand’s Next Top Model (Series 2) for another gang; Auckland’s most exciting young male actors. Star of the Silo Theatre hits A Little Dog Laughed and Holding The Man Charlie McDermott joins award-winning Gareth Reeves, David Van Horn (Loot, Go Girls), Ian Hughes (Ship Songs), Sam Snedden (Life is a Dream, Back Story) and newcomer Dan Veint in this electrifying blast of hip swinging swagger.

The play that inspired Guy Ritchie’s seminal Lock Stock and Two Smoking Barrels is a jet black comedy where rock, revenge and deadly hilarity play out at heart pounding speed.

Olivier Award for Best New Comedy 1995
George Devine Award for Most Promising Playwright
Evening Standard Award for Most Promising Playwright

Combines 'the verbal menace of Harold Pinter and the physical violence of Quentin Tarantino' - Sunday Times

'This is Beckett on speed, savagely funny, in fast forward, with no time to wait for Godot' - Observer

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